Cʜᴀʀʟᴇs 'C H U C K' Hᴀɴsᴇɴ (
suicidemission) wrote2013-08-15 03:15 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
(no subject)
He’d told her nine and abruptly left, fleeing the situation like it was a hive of bees chasing after him. He’d promptly gone back to his room where he’d taken a cold shower, drank a gallon of water to free himself of the warm, lingering buzz that he’d obtained from either the alcohol or her presence (he couldn’t be sure what was truly the cause), then sat on his bed and vented at Max for several hours – Max, who very patiently sat there and listened to all of it.
He didn’t have a lot of input, though.
When Chuck had at least some of his sense back, he takes a proper shower and puts on clean clothes and finds an ancient bottle of cologne stuffed in the bottom drawer of his dresser that, on further inspection, expired about three years ago but still smells okay, and shoves what he’d had on and his previous, soaking wet set into the laundry chute.
He kills more time by walking Max through the ‘Dome and ignores most people that talk to him, allowing only Miss Mori to pet his dogs head before he swings by his old mans room, pawns the animal off on him with barely a word (save for insistent pestering as to her name - Rhoda, it suited her), then doubles back to her room where he raps on the metal twice and waits, hands behind his back, face affixed with the usual, surly look he was so often seen with.
He didn’t have a lot of input, though.
When Chuck had at least some of his sense back, he takes a proper shower and puts on clean clothes and finds an ancient bottle of cologne stuffed in the bottom drawer of his dresser that, on further inspection, expired about three years ago but still smells okay, and shoves what he’d had on and his previous, soaking wet set into the laundry chute.
He kills more time by walking Max through the ‘Dome and ignores most people that talk to him, allowing only Miss Mori to pet his dogs head before he swings by his old mans room, pawns the animal off on him with barely a word (save for insistent pestering as to her name - Rhoda, it suited her), then doubles back to her room where he raps on the metal twice and waits, hands behind his back, face affixed with the usual, surly look he was so often seen with.
no subject
"Well." She gives him a conspiratorial look, her eyebrows lifting. "I don't think it hurt."
no subject
Chuck is just pretending the situation isn't happening at all. Like it's some kind of every day thing that he walks around the deck hand in hand with pretty scientists.
"You think I'm pretty?" He gives her a look that's a cross between a smirk and a leer, and he can't help but laugh a little, because wow this girl.
no subject
"Not as pretty as me," she replies, using the hand he isn't holding to toss her hair over her shoulder.
no subject
"Course not," he says, tone casual, like this, too, is something he does all the time -- toss out compliments. "Dunno anyone that could compete."
To kill some of the awkward, he pulls her over to the side, over another metal girder and towards the lift doors that are nestled by Striker's foot.
no subject
"You think I'm pretty?"
Teasing is always worth it.
no subject
"Have to be blind not to think so."
He jabs at the button with his hand, idly wondering if he should let her hand go, or just...keep holding it and pretending like it's nothing.
He's not inept at this sort of thing - but he really doesn't engage in it. She doesn't seem to be bothered, so he is just going...keep holding her hand.
It's nice, not having someone look at him like he's some rockstar, and it's equally nice to just...kind of allow himself to be.
no subject
Not really, she's well aware she's pretty, and she's well aware he knows she thinks she's pretty. Still.
Yes, there is a little part of her that's more than a little excited to have caught the attention of Chuck Hansen, one of the greatest pilots on the planet, but Rhoda is somewhat used to being around famous pilots now, and besides. She's too composed to allow herself to fangirl over someone. Celebrities are people too, and sometimes people just want to be...people.
no subject
“And it’s not flattery.”
It’s just the truth. Chuck doesn’t have time for lies, for flattery. He’ll grudgingly give credit where it’s due, though he has a lot of trouble admitting when he’s wrong. He just thinks people need to prove themselves – he had to, why shouldn’t everyone else? He worked his ass off to be a pilot, because that’s all he’s ever wanted, all he’s ever allowed himself to want. He’s not of the mindset that everyone is inherently ‘good’ or other stupid shit like that. He’s not going to buy into the fact that just because a tech says they’re good, then they are. No.
No. Prove your damn self, and don’t fuck up his Jaeger. There’s a reason Chuck does some of the repairs himself – it’s because he doesn’t trust these fuckwits to do it right.
“Here,” he gestures when the lift doors open, letting her walk in first and finally dropping her hand so he can slide on in behind her and jab the up button.
no subject
They reach the lift doors and he lets go of her hand; she slips her camera off her wrist and tucks it into his pocket, lifting her eyebrows at him in silent challenge as she slips by him and into the little elevator.
"I'm always a little amazed by how big they are," she murmurs, watching as the lift slides up and up and up.
no subject
“Most people are,” he admits, defaulting to the one thing he’s most comfortable talking about. “Striker’s a beaut, ain’t he? Brilliant; he’s the first and last Mark V ever. Shame, really. He’s one of a kind.”
Gipsy Danger isn’t the only Jaeger that’s unique and fucking awesome. It riles him that people fall all over themselves about Gipsy when Striker stands resolute in the next bay over – the fastest and most advanced Jaeger ever and he goes ignored because everyone is too busy pissing themselves over that old rust bucket of Becket’s.
At least Rhoda seems appropriately awed.
no subject
"He's gorgeous," she murmurs, not needing to play it up for his benefit. Striker Eureka really is a glorious machine, huge and hulking and powerful. "Awesome, in the original sense of the word." As in inspiring awe in those who look upon him.
There's a little smile on her face as she watches the Jaeger pass before them, but she doesn't say anything else.
no subject
“Ever notice how a lot of pilots refer to their Jaegers as a ‘she’?” He leans against the wall as the go up, up, up, one ankle crossing over the other as he centers his weight. “People think it’s like how naval officers refer to their ships as ‘she’, but it’s more than that. When y’share a mind and body with a hunk of machine, you get – I dunno. Sounds crazy, but snippets. Little…scraps of sentience.” He’s pinching his fingers together on his right hand to demonstrate.
“Striker’s a he. I know it.”
no subject
Her attention turns quickly to him when he starts talking, though, her eyes flashing with interest. Rhoda loves learning new things, it's why she's got a graduate degree before she can legally drink, it's why she went into the field she did. New information gets sucked into her brain quickly and eagerly, and this is something not many people know about.
"Yeah?" She turns her attention back to the Jaeger in front of them, blowing out a breath through pursed lips.
"That is so cool."
no subject
He watches the interest flicker over her face and he’s pleased he’s come up with something they can discuss without it getting awkward or antagonistic. One point to Chuck Hansen – he’s not a complete fuckup.
“You leave residue. In each other, and in the Jaeger.” He gestures towards the approaching conn-pod before folding his arms again. “They say the Drift is a two-way street, pilot to pilot. People forget that the Jaeger is involved, too.”
no subject
"So one of the reasons you swagger like you do is because of Striker?" she teases, looking over at him and winking.
She thinks his swagger, like his accent, is pretty sexy, though. Even if it does make her laugh.
no subject
"Mark V Jaeger, best ever built and piloted by the best there is?"
He spreads his hands and smirks, the doors opening off to the side.
"How can I not?"
no subject
She laughs again, rolling her eyes at him as she walks past him out the open doors.
"Good thing you're not letting it get to your head."
no subject
"This way," he says, tugging her back around to walk the length of the catwalk the circles Striker's massive pod.
no subject
"This is...very high up," she says, chancing a peek over the edge. "I never was afraid of heights but there's a tree and then there's this..."
Good thing she has Chuck here to cling to.
no subject
"Yeah. I forget the exact height." He eyes her she's; they're boots, but still. "Don't worry." His hand tightens on hers, just a little. "You won't fall."
no subject
no subject
He grins lazily at her, then starts moving again, step by step by step, until they're at the foot of a ladder.
"Up there. Want to go first?"
no subject
The ladder gets viewed with a little trepidation, but Rhoda's a brave girl, so she just nods and starts to climb.
"No staring at my ass, now," she chides, well aware that this will make sure Chuck does exactly that.
no subject
He's grinning at her, eyes twinkling just a little bit. He's thoroughly enjoying himself - especially now. Maybe stargazing wasn't such a bad idea after all.
no subject
She may be a little nervous, but it doesn't show in how quickly she scales the ladder, her grip sure and secure as she climbs higher and higher.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)